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"Battle of the Year" touches on exactly how the rest of the globe gettings embraced b-boy society, but just how they're not viewed as reducing edge or cool in the Usa.

That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How long prior to hip-hop isn't cool down?".

He needs to shield his style, songs and dancing empire by placing American b-boys back ahead. He hires an aged dancing colleague, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed on the present state of dancing, after that recruit and coach a "all-star team" of the most effective of America's ideal to tackle the other globe, which has actually passed America by and long controlled the annual b-boy Olympics called "BOTY," the Battle of the Year.

That group consists of assorted pretentious, chip-on-their-shoulder showoffs, because that's what it requires to succeed. Real celebrity professional dancers such as Do Knock and Flipz are blended with others, consisting of singer Chris Brown.

And assisting coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.

Benson Lee, director of the conclusive docudrama on the around the world phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has personalities view that movie and perform its praises. Holloway can not also mean a real dancing past, so the movie fabricates that by having his coach run his people through drills (in split-screen series).

Peck, as soon as of TELEVISION's "Drake & Josh," onetime celebrity of "The Wackness," has a little, supporting duty but is given leading invoicing. In this situation, that indicates his every scenario consists of coiffed and very made-up close-ups. It's laughable.

However tabloid darling Brown even more compared to holds his own with this staff, apparently not also requiring a dance double. The dancing scenarios-- specifically those including groups from Germany, France and Korea-- take the b-boy moves to the following degree.

And there are lots of easy, undemanding laughs, the very best lines originating from Peck's assistant coach.

"You resemble a gazelle out there," he applauds his supervisor. "A gazelle with arthritis." Which, while it doesn't explain the movie, does strike this category right in the bull's eye. But after that, the appeal of "Step Up" and all its tired imitators is that the viewers they're shooting for has no concept that there have been 20 or 30 motion pictures precisely such as this one that came before it.


He has to protect his songs, dance and style empire by putting American b-boys back on best. He employs an old dance colleague, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to quicken on the present state of dance, after that sponsor and coach a "desire team" of the ideal of America's ideal to take on the remainder of the globe, which gettings passed America by and long controlled the annual b-boy Olympics understood as "BOTY," the Battle of the Year.

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بينèéٌêèه لëàمîâîيèے نëے àًîىàٍهًàïèè. بينèے — ًٌٍàيà çàمàنîê è ٍàéي, ٌêàçîê è ىàمèè. رًٍàيà, çàâîًàوèâà‏ùàے è ïëهيے‏ùàے ٌâîèىè àًîىàٍàىè. ءëàمîَُàيèه îمًîىيîé ïàëèًٍû يàٌûùهييûُ çàïàُîâ îùَùà‏ٌٍے â êàونîى َمîëêه ‎ٍîé َنèâèٍهëüيîé ىهٌٍيîٌٍè. رîâًهىهييîه ًàçيîîلًàçèه çàïàُîâ يàêàïëèâàëîٌü ىيîمîâهêîâûىè ًٍàنèِèےىè. إù¸ â مëَلîêîé نًهâيîٌٍè ىهٌٍيûه وèٍهëè بينèè èٌïîëüçîâàëè â ٌâîèُ ىàمè÷هٌêèُ îلًےنàُ âٌه نîٌٍَïيûه èى لëàمîâîيèے — êîًيè è ëèٌٍüے نهًهâüهâ, ‎ôèًيûه ىàٌëà ِâهٍîâ, َلëàوàے ٍهى ٌàىûى لîمîâ è لîمèيü.

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